With a slight push on the heavy steel door, the five of us come in from the cold. The small building is the size of two tractor trailers, and constructed from pockmarked wartime concrete. It is almost invisible against the wide white landscape of snow and crooked winter trees. The floors, which were once painted a rusty blood red, have been chipped away by the passage of hundreds, or thousands of tourist feet. We huddle for a moment before continuing; the German winter sun is setting at 4:00PM, and outside the temperature has dropped to -10ºC. With another nudge, Nikola opens a second door to our left, into the small museum the Germans have erected around the remains of the Orianneburg concentration camp prisoner’s kitchen.
On the main floor, small windowboxes hang at eye level, protected by centimetre-thick glass and lit impassively from below. Each includes a name, an enlarged black-and-white photo, and a simple story of persecution. Here is Max Ernst, a camp escapee from Poland. Here is Rosa Limburg, who smuggled medicine from army barracks to concentration camp prisoners. Here is Daniel Schauzberg, who was forced to help the camp doctor when he prepared lampshades for his personal study. He writes that he threw up when he found a tattoo on a pelt: he realized the lampshades were being cut from the dead skins of camp prisoners.
His picture, and many of the others, bear wide and unconvincing smiles. The years of torture, rape, abuse, starvation, and assault the Nazis inflicted on these people has left around their eyes the lines of an old man. At the bottom of a staircase, we come upon a long flat display case, full of leather scraps. The caption reads: “At the ‘shoe-factory,’ camp workers disassembled the leather shoes and luggage of concentration camp prisoners, after execution at Dachau. New prisoners were issued wooden clogs. On the scrap above, an address in Vienna is still visible.” Another passageway opens into a new display room, where stories of grief and horror lay beneath plate glass. A staircase at the back of the exhibit drops into the frigid basement. The floor here is unprotected, and I descend alone. An empty cold-room holds fifty-or-so thick iron hooks, hanging from the ceiling to hold sides of meat. In the the next room, a concrete depression the size of a washtub is marked by a simple sign: this was the sink for a camp of thousands. Any prisoner attempting to wash a potato, or any food, before it was cooked was beaten and held under the putrid dish water.
On every wall, and many of the colossal concrete columns of the basement, the prisoners left paintings. Water droplets with tubby legs and cartoony smiles leap from deep porcelain tubs; carrots with googly eyes dance with onion women at a festival; a small display of painted flowers has faded with time, mostly because food dyes were never meant to be used as paint by prisoner cooks. They are scenes of happiness, of being fat and unwrinkled, of groups and dancing and mythic feasts. And there, alone in the basement of the Orianneburg concentration camp kitchen, I felt as though I should cry; not because the camp was a tragedy, which it was, but because people had left paintings in this kitchen. Starved and beaten and hated by mad-dog guards, these people had painted anything but their grim camp-lives.
Whatever you have heard about Germany is wonderfully, eerily true. The people of Berlin are built tall and thick, and are remarkably blond. The language is full of English-sounding barks, coughs, and mouth-rounding “U” noises. They seem to be unaware that they all sound like B-movie Germans, and insist on saying things like “Brunsbetter Franklewurster” without laughing.
At the end of four days in Berlin, it’s obvious that four days aren’t nearly enough to grok Germany. Winter fairs have sprouted in the main squares that make us laugh with pleasure, and uncomprehending delight. Booths sell absurdly long sausage, and hot spiced wine, and bear-fur balaclavas. Small drinking halls have been erected next to fountains. The closest thing to fruit in Berlin is probably the sauerkraut. Children are ice-skating in front of the Reichstag. Beer is as cheap and hearty as bread; if your nose isn’t cherry red from the frigid river winds, then your cheeks are rosy from being gently drunk. The Germans are ruthless in their hospitality and efficiency. Lines form automatically. Although there is every reason to get in out of the cold, there is no jaywalking. None.
A much mocked sign marks one edge of the old Berlin Wall, at the border of the old wartime American zone. If you have seen it, on t-shirts or in dorm rooms, you may understand a little of German humor. Though the old sign was stolen in the fever of re-unification when the Wall fell, the Germans have reconstructed it, and mounted the replica about where the wall fell. It reads:
YOU ARE NOW LEAVING THE AMERICAN SECTOR.
please obey all traffic rules.
